Thursday, February 9, 2012

How's Your "Flow?"


Creative flow, that is. 

A few nights ago, I was on the TED Conference website and came across Elizabeth Gilbert (author of "Eat Pray Love") talking about living a creative life.  It was inspiring, funny, moving and one of the clearest expressions of what it feels like to have inspiration and not have inspiration.  I'm including the link below and I urge everyone (especially those of you struggling to live a creative life) to watch this, I think you'll find some valuable perspective on why we continue to do this!

It got me thinking about what MY creative process feels like (I know it's probably different to anyone else's).  I, too have had my "brushes against the 'Divine.'"  There are times as I am painting that I feel as if time stands still and the brush in my hand is being controlled by someone else.  I take a step back and look at what I've done and I don't really remember doing it.  Something is flowing through me from somewhere else.  That's my "flow," and I'm just the open pipe.  It doesn't always happen this way and a lot of the time it's just a slog but when it does happen -- it's pure ecstasy!   When it does happen, I keep saying over and over , "Yes, I know, I know -- this is what I'm supposed to do -- just let me keep doing it!"

Keep your art pipes open!

Monday, February 6, 2012

The Sotheby Syndrome


A few weeks ago, Alan Bamberger, who runs an excellent website called ArtBusiness.com posed a discussion question on FaceBook:  "Does the fact that auction houses such as Sotheby and Christies are posting record sales help you as an artist?"  As soon I read this, I remembered a conversation I had a few years ago (in the depths of the economic downturn) with a gallery owner.  He said, "Don't worry, the art scene is really heating up -- Sotheby's going crazy and people are paying millions for art!"  I remember thinking at the time, "So what?  How does that impact me?" -- I still think it.

While I'm generally happy that people are doing so well buying and selling art; as a working artist, I know that the rarefied circles where people pay enormous amounts of money for "blue-chip" art are closed to me.  Sotheby is not going to come knocking at my studio door for their next auction and our contemporary "Mellons" and "Carnegies" aren't likely to wander into one of my Open Studios.  This amazing auction success doesn't "trickle down" to where I paint.

But their are collectors who come to my studio.  There are people who commission -- just not enough.  This is where I think, in fact, these splashy news stories do a disservice to us.  The idea of being an "Art Collector" comes with a lot of baggage fueled by the idea that art collecting is somehow a "rich man's game."  This elitism is also intensified by the intimidation you are often made to feel when walking into most galleries.  The average person feels that, while they love art, they don't want to appear foolish because they don't know enough about it or maybe can't afford the higher end pieces on offer.  What galleries seem to not know is that when a person is beginning to collect, it seems like a frivolous thing to spend a couple thousand dollars on something that won't feed them, clothe them or keep a roof over their head.  The idea that this artwork they've just bought will feed their soul for many years to come only comes to them later when they realize they can't imagine life without it!

What most people don't realize is that there is great art to be had in all styles, media, and price ranges in most cities -- all you have to do is look for it!  Look for advertised Open Studios and go and talk to artists -- learn about what you like and don't like and then start collecting.  Don't worry about what it'll be worth in 20 years -- just collect what you love!  
 
Thomas Hoving, former director of the Metropolitan Museum of Art in New York, said; ". . .you'll meet individual works that you'll need for the rest of your life, works that thrill you, energize you, lift your soul, soothe you, make you smile, make you think about the fate of mankind and the universe, make you have to see them again and again for the good of your psyche, state of mind, and strength of heart.."   Most of the time this will happen in a museum, but this can also happen in your own home after you've acquired a piece of art you love.  The best part, is that you'll then have a direct connection to the artist and know that by your patronage, you are helping the creative process continue and the birth of new art into the world.  Kinda cool, huh?

Sunday, January 29, 2012

In Defense of Modern Art


Last week I attended a symposium sponsored by the California Art Club.  The first panel discussion concerned the state of "Realism" in our time.  A pertinent discussion topic given the essentially conservative nature of the organization and the "anything is art"  attitude of the current art scene around it.   The premise was that the CAC and organizations like them were holding aloft the small, sputtering flame of civilization against the philistinism (no -- barbarism) of contemporary art.  I felt like the anarchist in the room!

On the surface, this would seem like an odd statement; after all, I'm a painter of portraits and figures using a very traditional technique.  I am an ultra-realist and in my current work, I'm trying to bring an almost neo-classical clarity to my work -- you'd think I would be in complete agreement.  Yet when I hear arguments likening the Modern Art movement to a second "Dark Ages," I must raise serious objections.  The impression I get from arguments like this is that civilization would have been better off without Modern Art ever having occurred (or at best that it was a "temporary insanity").   Like "Traditional Catholics" who would have us go back to a pre-Vatican II world complete with mass in Latin, these art traditionalists would have us return to a "golden age" somewhere in the 1880s before all the confusion and "isms" took over.   My message to these naysayers and upholders of tradition is simple.  It's not just that we should grudgingly accept modern art as a fact -- we should embrace it, learn from it, and ultimately develop a new realism. 

Modern art did something very important in the late 19th century.  It declared to the world in a very definite way that there was no longer only one correct way to create art.  By rebelling from the traditions of the École des Beaux Arts,  artists starting with Courbet tore down worn concepts and created art again in their own image.  Realism did not die -- it was transformed.  It is our duty to transform it again.  When I look at the technically beautiful work coming out of the ateliers, I'm often admiring of the skill but baffled at the results.  But for details of dress and place, many of these works look as if they were painted a hundred years ago -- as if the countless movements of the 20th century never took place. 

There is plenty of modern art that I dislike, but there is an equal plenty that I love and am inspired by (even if on the surface, my work has nothing in common with it).  As contemporary realists, we do ourselves a disservice if we patently ignore (and refuse to learn from) the work of the last hundred years.  Let's make a new realism that looks like nothing but a 21st century realism -- that's what I'm trying to do.

Wednesday, September 14, 2011

Art Events this Weekend!


I have two exciting events this weekend!

Saturday, Sept 17th, 1-4pm I will be participating in a Live Painting Show at FLAX art & design on Market and Valencia Sts. in San Francisco.  I'll be working on a couple of paintings including a new work in my series of "Found Portraits." 

On Sunday, I open my new show at Blush! Wine Bar in the Castro (Castro and 18th Sts.).  Please join me at Blush from 6-8pm as I feature nine of my paintings from the  "Found Portraits" series (including the two above). 

Hope to see you at one or both events!

Tuesday, August 9, 2011

Illuminated Features Opening Thursday



Join me at Nova Bar and Restaurant this Thursday Aug 11, from 6-8pm for a cocktail and a view of my new paintings.

Nova Bar and Restaurant
555 2nd St.
San Francisco

Monday, August 1, 2011

Aug 11 Opening at Nova





Illuminated Features

New Paintings by Paul Morin
  
Meet the Artist: Thursday, August 11, 6-8pm

Nova Bar and Restaurant
555 2nd St., San Francisco

Exhibit up through October

Thursday, July 28, 2011

Hanging a show today!





Illuminated Features

New Paintings by Paul Morin

 Nova Bar and Restaurant
555 2nd St.San Francisco
Now Through Oct 26th

Opening: Thursday, Aug 11 6-8pm

This is a continuation of my series of large-scale oil paintings with
silver leaf backgrounds based on found vintage images.

Above: "Aviatrix"  2011 36 x 36